Richard Franklin Lennox Thomas Pryor (December 1, 1940 – December 10, 2005)

Richard Pryor was an American comedian, actor, film director, social critic, satirist, writer, and MC.

Pryor was known for uncompromising examinations of racism and topical contemporary issues, which employed colorful vulgarities and profanity, as well as racial epithets. He reached a broad audience with his trenchant observations and story telling style. He is widely regarded as one of the most important and influential stand-up comedians of all time: Jerry Seinfeld called Pryor "The Picasso of our profession", and Bob Newhart has called Pryor "the seminal comedian of the last 50 years". This legacy can be attributed, in part, to the unusual degree of intimacy Pryor brought to bear on his comedy. As Bill Cosby reportedly once said, "Richard Pryor drew the line between comedy and tragedy as thin as one could possibly paint it."

Pryor's body of work includes the concert movies and recordings: Richard Pryor: Live & Smokin' (1971), That Nigger's Crazy (1974),...Is It Something I Said? (1975), Bicentennial Nigger (1976), Richard Pryor: Live in Concert (1979), Richard Pryor: Live on the Sunset Strip (1982), and Richard Pryor: Here and Now (1983). He also starred in numerous films as an actor, such as Superman III(1983), but was usually in comedies such as Silver Streak (1976), and occasionally in dramatic roles, such as Paul Schrader's film Blue Collar (1978). He collaborated on many projects with actor Gene Wilder. Another frequent collaborator was actor/comedian/writer Paul Mooney.

Pryor won an Emmy Award (1973) and five Grammy Awards (1974, 1975, 1976, 1981, and 1982). In 1974, he also won two American Academy of Humor awards and the Writers Guild of America Award. The first ever Kennedy Center Mark Twain Prize for American Humor was presented to him in 1998. Pryor is listed at Number 1 on Comedy Central's list of all-time greatest stand-up comedians.

Born on December 1, 1940 in Peoria, Illinois, Pryor grew up in his grandmother's brothel, where his mother, Gertrude L. (Thomas), practiced prostitution. His father, LeRoy "Buck Carter" Pryor (June 7, 1915 – September 27, 1968), was a former boxer and hustler. After his alcoholic mother abandoned him when he was 10, Pryor was raised primarily by his grandmother Marie Carter, a tall, violent woman who would beat him for any of his eccentricities. Pryor was one of four children raised in his grandmother's brothel and was sexually abused at age 7. He was expelled from school at the age of 14.

His first professional performance was playing drums at a night club. Pryor served in the U.S. Army from 1958 to 1960, but spent virtually the entire stint in an army prison. According to a 1999 profile about Pryor in The New Yorker, Pryor was incarcerated for an incident that occurred while stationed in Germany. Angered that a white soldier was overly amused at the racially charged sections of Douglas Sirk's movie Imitation of Life (1959), Pryor and some other black soldiers beat and stabbed him, though not fatally. 

During this time, Pryor's girlfriend gave birth to a girl named Renee. In 1960, he married Patricia Price, and they had one child together, Richard Jr. They divorced in 1961.

In 1963, Pryor moved to New York City and began performing regularly in clubs alongside performers such as Bob Dylan and Woody Allen. On one of his first nights, he opened for singer and pianist Nina Simone at New York's Village Gate. Simone recalls Pryor's bout of performance anxiety:

He shook like he had malaria, he was so nervous. I couldn't bear to watch him shiver, so I put my arms around him there in the dark and rocked him like a baby until he calmed down. The next night was the same, and the next, and I rocked him each time.

Inspired by Bill Cosby, Pryor began as a middle brow comic, with material far less controversial than what was to come. Soon, he began appearing regularly on television variety shows, such as The Ed Sullivan Show and The Tonight Show Starring Johnny Carson. His popularity led to success as a comic in Las Vegas. The first five tracks on the 2005 compilation CD Evolution/Revolution: The Early Years (1966–1974), recorded in 1966 and 1967, capture Pryor in this period.

In September 1967, Pryor had what he called in his autobiography Pryor Convictions (1995) an "epiphany" when he walked onto the stage at the Aladdin Hotel in Las Vegas (with Dean Martin in the audience), looked at the sold-out crowd, exclaimed over the microphone "What the fuck am I doing here!?", and walked off the stage. Afterward, Pryor began working profanity into his act, including the word nigger. His first comedy recording, the eponymous 1968 debut release on the Dove/Reprise label, captures this particular period, tracking the evolution of Pryor's routine. Around this time, his parents died—his mother in 1967 and his father in 1968.

In 1967, his daughter Elizabeth Ann was born to his girlfriend Maxine Anderson. Later that year, he married Shelley Bonis. In 1969, his daughter Rain Pryor was born. Pryor and Bonis divorced later that year.

In 1969, Pryor moved to Berkeley, California, where he immersed himself in the counter culture and rubbed elbows with the likes of Huey P. Newton and Ishmael Reed. He signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours). Two years later, the relatively unknown comedian appeared in the documentary Wattstax (1973), wherein he riffed on the tragic-comic absurdities of race relations in Watts and the nation. Not long afterward, Pryor sought a deal with a larger label, and after some time, signed with Stax Records.

When his third, break through album, That Nigger's Crazy (1974), was released, Laff, who claimed ownership of Pryor's recording rights, almost succeeded in getting an injunction to prevent the album from being sold. Negotiations led to Pryor's release from his Laff contract. In return for this concession, Laff was enabled to release previously unissued material, recorded between 1968 and 1973, at will. That Nigger's Crazy was a commercial and critical success; it was eventually certified Gold by the RIAA and won the Grammy Award for Best Comedic Recording at the 1975 Grammy Awards.

During the legal battle, Stax briefly closed its doors. At this time, Pryor returned to Reprise/Warner Bros. Records, which re-released That Nigger's Crazy, immediately after ...Is It Something I Said?, his first album with his new label. Like That Nigger's Crazy, the album was a hit with both critics and fans; it was eventually certified Platinum by the RIAA and won the Grammy Award for Best Comedic Recording at the 1976 Grammy Awards.

Pryor's release Bicentennial Nigger (1976) continued his streak of success. It became his third consecutive Gold album, and he collected his third consecutive Grammy for Best Comedic Recording for the album in 1977. With every successful album Pryor recorded for Warner (or later, his concert films and his 1980 freebasing accident), Laff would quickly publish an album of older material to capitalize on Pryor's growing fame—a practice they continued until 1983. The covers of Laff albums tied in thematically with Pryor movies, such as Are You Serious? for Silver Streak (1976), The Wizard of Comedy for his appearance in The Wiz (1978), and Insane for Stir Crazy (1980). In 1969, Pryor moved to Berkeley, California, where he immersed himself in the counter culture and rubbed elbows with the likes of Huey P. Newton and Ishmael Reed. He signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours). Two years later, the relatively unknown comedian appeared in the documentary Wattstax (1973), wherein he riffed on the tragic-comic absurdities of race relations in Watts and the nation. Not long afterward, Pryor sought a deal with a larger label, and after some time, signed with Stax Records.

When his third, breakthrough album, That Nigger's Crazy (1974), was released, Laff, who claimed ownership of Pryor's recording rights, almost succeeded in getting an injunction to prevent the album from being sold. Negotiations led to Pryor's release from his Laff contract. In return for this concession, Laff was enabled to release previously unissued material, recorded between 1968 and 1973, at will. That Nigger's Crazy was a commercial and critical success; it was eventually certified Gold by the RIAA and won the Grammy Award for Best Comedic Recording at the 1975 Grammy Awards.

During the legal battle, Stax briefly closed its doors. At this time, Pryor returned to Reprise/Warner Bros. Records, which re-released That Nigger's Crazy, immediately after ...Is It Something I Said?, his first album with his new label. Like That Nigger's Crazy, the album was a hit with both critics and fans; it was eventually certified Platinum by the RIAA and won the Grammy Award for Best Comedic Recording at the 1976 Grammy Awards. 

Richard Pryor died from a heart attack inside of Encino Hospital near Los Angeles, California at the age of 65 

on December 10, 2010. In my opinion Richard Pryor truly was one of the greatest comedians to ever grace the stage 
and his comedic genius will forever be missed.