Skip to main content

Mark Curry: Dancing with the Devil, How Puff Burned the Bad Boys of Hip- Hop

As an artist signed to Bad Boy records, Mark Curry rapped on songs with the Notorious B.I.G., appeared in big-budget music videos and rubbed shoulders with hip-hop's elite.


His ultimate goal: a chance to write and debut his own album.
But when a combination of bad business agreements with label owner Sean "Puff Daddy" Combs and personal choices got in the way of that, he turned to a different type of writing.
The result was Dancing with the Devil, How Puff Burned the Bad Boys of Hip- Hop.

In the explosive cautionary tell-all, Curry, 39, delves into the hip-hop beef that ultimately resulted in the deaths of rappers Tupac and the Notorious B.I.G. and exposes Combs — one of the most powerful people in hip-hop — as an economic opportunist with little interest in helping his artist get ahead.
When you first signed to Bad Boy, where did you see your music career going?
All the way to the top as an entertainer and rapper. I saw me being able to feed my family, pay my bills on time and all kinds of good stuff. But that's not what happened.
You make a lot of allegations against Puff in the book. Has there been much backlash against you from his camp?
One thing about the truth is that it can't be denied. Nobody's coming after me, but Puffy did draw a line between me and my friends like Dallas Austin (Atlanta musician and producer who has worked with Michael Jackson, Madonna and TLC). It's like they're afraid to speak to me now because it's like speaking to me would ruin their relationship with Puff.
Where did the courage come from to stand up and write this book?
I saw a circle of individuals that were in control. I thought that good music spoke for itself, but then I realized it wasn't the music that spoke; it was the business and the politics behind the music. Somebody has to stand up to that power.
Why didn't you get your own lawyer before signing the contract with him?
When we first started working, you would have no feeling that Puff was trying to take anything from you. You trusted him.
What's the ultimate lesson you'd like people to learn from this book?
The music industry is not designed for you to have the power to pick up the microphone and say what you want to say and become successful. The industry is not meant for you as an artist to get ahead, to have power and happiness. So, you may have a lot of money, but not be happy with the things you had to do to get the money.
Fast facts
The book
Dancing with the Devil: How Puff Burned the Bad Boys of Hip-Hop, by Mark Curry.
NewMark Books, 199 pages, $19.95.



Comments

Popular posts from this blog

PHYLLIS LINDA HYMAN (July 6, 1949 – June 30, 1995)

Phyllis Hyman was born in  Philadelphia ,  Pennsylvania , and grew up in  St. Clair Village , the  South Hills  section of  Pittsburgh . Born to an Italian mother, (Louise), and African-American father, (Phillip),  Hyman was the eldest of seven children. Through her paternal great-grandparents Ishmael and Cassandra (Cross) Hyman, she was also the first cousin once removed of actor  Earle Hyman  (best known for his recurring role on  The Cosby Show  as Cliff's father, Russell Huxtable). After leaving Pittsburgh, her music training started at a music school. On graduation, she performed on a national tour with the group New Direction in 1971. After the group disbanded, she joined All the People and worked with another local group, The Hondo Beat. At this time, she appeared in the film  Lenny  (1974). She also did a two-year stint leading a band called "Phyllis Hyman and the P/H Factor". She was discovered in 1975 by music industry veteran Sid Maurer, and former  Epic Re

Queen Philippa: England's First Black Queen

England's First Black Queen, Mother of the Black Prince Philippa was the daughter of William of Hainault, a lord in part of what is now Belgium. When she was nine the King of England, Edward II, decided that he would marry his son, the future Edward III, to her, and sent one of his bishops, a Bishop Stapeldon, to look at her. He described her thus: "The lady whom we saw has not uncomely hair, betwixt blue-black and brown. Her head is cleaned shaped; her forehead high and broad, and standing somewhat forward. Her face narrows between the eyes, and the lower part of her face is still more narrow and slender than the forehead. Her eyes are blackish brown and deep. Her nose is fairly smooth and even, save that is somewhat broad at the tip and flattened, yet it is no snub nose. Her nostrils are also broad, her mouth fairly wide. Her lips somewhat full and especially the lower lip…a

369th Infantry Regiment “Harlem Hellfighters”

First organized in 1916 as the 15th New York National Guard Infantry Regiment and manned by black enlisted soldiers with both black and white officers, the U.S. Army’s 369th Infantry Regiment, popularly known as the “Harlem Hellfighters,” was the best known African American unit of World War I. The regiment was nicknamed the Harlem Hellfighters, the Black Rattlers, which was given to the regiment by the French. The nickname "Hell Fighters" was given to them by the Germans due to their toughness and that they never lost a man through capture, lost a trench or a foot of ground to the enemy. The "Harlem Hellfighters" were the first all black regiment that helped change the American public's opinion on African American soldiers and helped pave the way for future African American soldiers.  Federalized in 1917, the 369th prepared for service in Europe and arrived in Brest, France in December.  The next month, the regiment became part of the 93rd Division (Provisio